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Plogue Chipsounds RAWKS!

Monday, November 9th, 2009

I just bought a gem of a plugin – Plogue’s chipsounds. In a way, it flaunts the never-ending-cycle of increased sample resolution and esoteric synthesis methods. This virtual instrument represents a throwback sound set captured from some of the classic game and computer consoles of years (and in some cases, decades) past. It may *seem* like a lo-fi walk in the park, but the process that the mad geniuses at Plogue went through to faithfully capture these retro sounds is pretty astonishing. Then they wrapped those tones in their own ARIA engine that allows composers and producers to do a wide array of sonic gymnastics. I’m pretty stoked about having this in my kit, since it’s both faithful to grungy kitsch while allowing for a great deal of modern experimentation. Below is a set of demos they produced to show what it can do. At some point (relatively soon) I’ll also be dropping chipsounds into some of my productions and will post clips under the category “Delayed Gratification“.

Chip music aficianados rejoice! :)

Gamelan Orchestra at TLA now in session!

Monday, March 2nd, 2009

I just received a virtual instrument library that I’m really excited about – Soniccouture’s Balinese Gamelan – Composer’s Edition.

This is an extraordinary array of instruments, with both tuned/pitched ensembles and a unique collection of drums. I’m really, really looking forward to digging into this sound set – as soon as I’m done with my next project.

True Strike Tension

Wednesday, November 12th, 2008

I just picked up ProjectSAM’s True Strike Tension through Native Instruments online store. It definitely lives up to the cinematic hype. The True Strike library has been around for a while, and ProjectSAM continues to do great work (see the rave reviews of Symphobia), and as a part of Kore Player/Kontakt 3 they’ve breathed new life into a venerable sound library. I’m particularly smitten by their use of lo-fi effects on some of these sounds – giving that real-yet-otherworldly tone that’s the bread and butter of film scoring today. These sounds are going to be showing up all over my work – and my guess is a lot of other composers will be doing the same – this is great stuff.

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